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I always want one more stairwell to climb. I always want to have to walk up a walk up, you know, and not have an elevator built into my walk up to survive.

Because I think that’s when you lose focus, is you forget. You forget how you got to the top. And once you forget how you got to the top, you forget everybody that helped you and you forget everything that inspired you and then you wake up one morning and that inspiration and that creativity gives one ol’ middle finger. It says, ‘You, you forgot me. You denied me. And I’m the reason for you.’ So I’ll fuck myself up all the way to the top, just to keep it real.”

Stefani Joanne Angelina Germanotta
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ianbrooks:

X-Ray Trooper by Dale May

A piece for May’s current show at Samuel Owen Gallery showing through January 19th. Get your very own 48×24 copy at Samuel Owen Gallery for only $2,600 or a 72×36 for $5,800 USD. Pocket change! 

(via: Obvious Winner / itlego)

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After decades of failed attempts to find the underlying thing that somehow could be partially-but-not-completely measured in this wide variety of ways, it dawned on people: there is simply no such thing as intelligence.

Or rather: what we intuitively respond to as intelligence is a composite, a symptom that can arise from a number of different factors in a number of different ways that are correlated but which function independently of one another.

It is true that people who think quickly can sometimes also learn more, and sometimes people who think quickly have more time to come up with creative results. But this sense of intelligence was an end result without a single cause; instead, it is what we see in the capabilities of a person who is able to harness any of a number of traits and get them to work together to produce a result.

In the end, a person can display intelligence by being very quick, or very knowledgeable, or very creative, or any mixture of these or other helpful traits.

Fighting Futurism – Why ‘progress’ is a myth http://bit.ly/x9zJHS 
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coketalk:

Resist the appeal of a storybook life, or else narrative patterns will become personal myths that poison you future.

You’ll break your life into chapters and set goals with three act structure and make friends and enemies according to archetype, all in a ridiculous attempt to trace your own character arc across the coming decades.

You’ll call this exercise dreaming, or worse, dreaming big, and your life will become a preamble to some distant happily ever after.

That would be a shame, because a storybook life is overrated. It is boring and safe and artificial as a teacup ride.

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alecshao
:

Anish Kapoor, Shooting Into the Corner (2009)

“…A catapult that shoots prefabricated projectiles against the wall of the exhibition hall at a speed of about 50 kilometers per hour. The work in progress continuously gains mass and expands into space so that the sculpture created by the artist with the help of a machine weighs about 20 tons by the end of the exhibition.”


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Nu skool camo…

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Checking to see if they’ll offer the puffy accessories separately…

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“Part of the deal of working at The New York Times is that your readers, a portion of whom are church ladies and copy ninnies and fact freaks, they wait like crows on a wire for you to make the slightest error and then descend, caw, caw, caw-ing, every time you screw up. It still is something that wakes me up at night.

”… At least on the Web, you can amend. The ethic of the Web is to say what you know as quickly as you can, and then reiterate over and over again. The Web is kind of a self-cleaning oven, and what you have up there can grow more accurate as time goes by. That’s never true of print. It’s always there for the ages.“

David Carr, covers pop culture for the New York Times